
Whether we like it or not, the paint splatter is one of the most frequently used effects in modern graphic design and Photoshop splatter brushes are more popular than ever. With this in mind, we thought we’d take a look back at the founding fathers of the paint splatter, people like Jackson Pollock (of course), Cy Twombly and Sam Francis.
Many of the artists examined below can be considered “action painters”, for it was these pioneering splashers, flickers and dribblers who really put the paint splatter on the map (or at least on the canvas) for the first time. They had no interest in producing images of realistic objects, or even conveying emotions. All these guys wanted was to tap into the subconscious mind of the viewer by painting in an entirely unconscious and spontaneous way.
In addition to the action painters, we explore the splatter work of some even more modern, modern artists. Damien Hirst, Anish Kapoor and Mark Wiener continue to feature paint and ink splatters in their work, thus keeping the splatter very much alive in the 21st century.
Thinking about splattered paint, Jackson Pollock is the first artist who springs to mind. Born in 1912, in Wyoming, USA, Pollock was one of the most prominent figures in the abstract expressionist movement and a founding father of action painting. His many works were created using the “drip” technique. He would pour, drip and flick paint onto a canvas laid flat on the floor, before manipulating the result with sticks, trowels and knives, rather than brushes.

Image: The Art Institute of Chicago

Image: Ken Jennings

Image: GMX
American artist, Norman Bluhm, who lived and worked in Europe as well as the United States, was another eminent abstract expressionist and action painter. He worked alongside Joan Mitchell and Sam Francis, both of whom are featured in this article. His work is highly regarded amongst critics, despite never receiving the mainstream praise it so deserved.

Image: About

Image: Fine Art Dealers Association

Image: Norman Bluhm(top image)
Sam Francis, born in California, in 1923, studied botany, medicine and psychology alongside painting and printmaking. He began painting while hospitalised for several years following a WWII plane crash. Inspired by Rothko, he started painting large, monochromatic canvases, but later moved on to create the brightly coloured, splashed and splattered paintings for which he is most famous.

Image: Ameringer | McEnery | Yohe

Image: artnet

Image: Masterworks Fine Art Gallery
Lee Krasner, renowned artist in her own right, married Jackson Pollock in 1945. Sadly, her surviving body of work is small, as she frequently tore up paintings to create collages or simply destroyed them altogether.

Image: artnet

Image: artnet

Image: Elizabeth Leach Gallery
Born 1925, Joan Mitchell, along with Lee Krasner (above) and Helen Frankenthaler (below), was one of the few female painters of her time to gain widespread recognition. She wanted her large paintings, which often covered multiple panels, to “convey the feelings of a dying sunflower”.

Image: Hauser & Wirth

Image: Hauser & Wirth

Image: University of Kentucky
Resnick was born in Russia, but moved to New York at a young age. Best known for his abstract figurative paintings, rather than those of the type below, he was heavily influenced by his good friends and colleagues Willem de Kooning and Jackson Pollock, the latter of whom had a studio very nearby.

Image: artcritical

Image: Jan Lombardi

Image: Jan Lombardi
Now 80 years old, Frankenthaler has produced many large expressionist paintings over her lifetime. Although her work has constantly changed and evolved over the years, she has stuck with her aim of producing “instant images”, rather than paintings that are laboured or overworked.

Image: RasMarley

Image: Jan Lombardi

Image: Berkeley Art Museum
Shiraga is a member of Gutai Art, a Japanese avant-garde movement, established in 1954. While it’s possible to point to numerous similarities between his work and that of the action painters of New York (like Pollock and Resnick), Shiraga was heavily influenced by postwar Japan.

Image: Annely Juda Fine Art

Image: artnet

Image: gallerie georg nothelfer
Twombly is known the world over for his highly abstract, scribbled, graffiti-like paintings. Although much of his work is free from splatters, he often uses touches of bright colour on otherwise grey or tan canvases.

Image: ArtDaily

Image: Articoli

Image: Pitch Design Union
Anish Kapoor is currently holding an exhibition at the Royal Academy of Arts in London. It features much splattering. One piece, entitled “Shooting into the Corner”, involves a large cannon and bucket-sized cartridges of burgundy paint. Throughout the day, members of Kapoor’s staff shoot paint from the canon, through an open doorway into a second, empty room. You can watch the live feed of the installation here.

Image: Artstage

Image: Guardian
Damien Hirst has become one of the most talked about artists of recent years, lauded and criticised in equal measure. Besides embalming tiger sharks and chopping farmyard animals in half, Hirst has created a number of splatter paintings by dripping household paint (much like that used by Pollock) onto a spinning medium. American skate company Supreme has featured some of his splatter pieces on a range of skateboard decks.

Image: Art Quotes

Image: Art Quotes

Image: MiserableSubCulture
Lesser known New York artist, Mark Wiener, continues to create large, paint and sumi-e ink-splattered canvases in 2009. His work explores symmetry, spontaneity and geometric shapes.

Images: Saatchi Gallery
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